The bold versions of Verdana and Georgia are bolder than most bolds, because on the screen, at the time we were doing this in the mid-1990s, if the stem wanted to be thicker than one pixel, it could only go to two pixels. were all about binary bitmaps: every pixel was on or off, black or white. Georgia's bold is also unusually bold, almost black. Its reduced contrast and thickened serifs make it somewhat resemble Clarendon designs from the 19th century. It features a large x-height (tall lower-case letters), and its thin strokes are thicker than would be common on a typeface designed for display use or the greater sharpness possible in print. Georgia was designed for clarity on a computer monitor even at small sizes. and then they disappeared completely." Its figure (numeral) designs are lower-case, or text figures, designed to blend into continuous text this was at the time a rare feature in computer fonts. Speaking in 2013 about the development of Georgia and Miller, Carter said: "I was familiar with Scotch Romans, puzzled by the fact that they were once so popular. The typeface's name referred to a tabloid headline, "Alien heads found in Georgia." Design Īs a transitional serif design, Georgia shows a number of traditional features of "rational" serif typefaces from around the early 19th century, such as alternating thick and thin strokes, ball terminals and a vertical axis. The typeface is inspired by Scotch Roman designs of the 19th century and was based on designs for a print typeface on which Carter was working when contacted by Microsoft this would be released under the name Miller the following year. It was intended as a serif typeface that would appear elegant but legible when printed small or on low-resolution screens. Georgia is a serif typeface designed in 1993 by Matthew Carter and hinted by Tom Rickner for the Microsoft Corporation.
Microsoft Corporation, Font Bureau (Georgia Pro)
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